The Composition of Old English Poetry

The Composition of Old English Poetry Author H. Momma
ISBN-10 0521554810
Release 1997-03-28
Pages 205
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Offers an imaginative way of understanding the relationship between syntax and metre in Old English poetry.



Verse and Virtuosity

Verse and Virtuosity Author Janie Steen
ISBN-10 9780802091574
Release 2008
Pages 237
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While there is little evidence of formal rhetorical instruction in Anglo-Saxon England, traditional Old English poetry clearly shows the influence of Latin rhetoric. Verse and Virtuosity demonstrates how Old English poets imitated and adapted the methods of Latin literature, and, in particular, the works of the Christian Latin authors they had studied at school. It is the first full-length study to look specifically at what Old English poets working in a Latinate milieu attempted to do with the schemes and figures they found in their sources. Janie Steen argues that, far from sterile imitation, the inventiveness of Old English poets coupled with the constraints of vernacular verse produced a vital and markedly different kind of poetry. Highlighting a selection of Old English poetic translations of Latin texts, she considers how the translators responded to the challenge of adaptation, and shows how the most accomplished, such as Cynewulf, absorb Latin rhetoric into their own style and blend the two traditions into verse of great virtuosity. With its wide-ranging discussion of texts and rhetorical figures, this book can serve as an introduction to Old English poetic composition and style. Verse and Virtuosity, will be of considerable interest to Anglo-Saxonists, linguists, and those studying rhetorical traditions.



Authors Audiences and Old English Verse

Authors  Audiences  and Old English Verse Author Thomas A. Bredehoft
ISBN-10 9780802099457
Release 2009
Pages 237
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Authors, Audiences, and Old English Verse re-examines the Anglo-Saxon poetic tradition from the eighth to the eleventh centuries and reconsiders the significance of formulaic parallels and the nature of poetic authorship in Old English. Offering a new vision of much of Old English literary history, Thomas A. Bredehoft traces a tradition of 'literate-formulaic' composition in the period and contends that many phrases conventionally considered oral formulas are in fact borrowings or quotations. His identification of previously unrecognized Old English poems and his innovative arguments about the dates, places of composition, influences, and even possible authors for a variety of tenth- and eleventh-century poems illustrate that the failure of scholars to recognize the late Old English verse tradition has seriously hampered our literary understanding of the period. Provocative and bold, Authors, Audiences and Old English Verse has the potential to transform modern understandings of the classical Old English poetic tradition.



Traditional Subjectivities

Traditional Subjectivities Author Britt Mize
ISBN-10 9781442644687
Release 2013
Pages 294
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Why is Old English poetry so preoccupied with mental actions and perspectives, giving readers access to minds of antagonists as freely as to those of protagonists? Why are characters sometimes called into being for no apparent reason other than to embody a psychological state? Britt Mize provides the first systematic investigation into these salient questions in Traditional Subjectivities. Through close analysis of vernacular poems alongside the most informative analogues in Latin, Old English prose, and Old Saxon, this work establishes an evidence-based foundation for new thinking about the nature of Old English poetic composition, including the 'poetics of mentality' that it exhibits. Mize synthesizes two previously disconnected bodies of theory - the oral-traditional theory of poetic composition, and current linguistic work on conventional language - to advance our understanding of how traditional phraseology makes meaning, as well as illuminate the political and social dimensions of surviving texts, through attention to Old English poets' impulse to explore subjective perspectives.



The Textuality of Old English Poetry

The Textuality of Old English Poetry Author Carol Braun Pasternack
ISBN-10 0521465494
Release 1995-07-20
Pages 219
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The modern reader knows Old English poetry as a discrete number of poems, set up and printed in units punctuated as modern sentences, and with titles inserted by modern editors. Carol Braun Pasternack constructs a reading of the poetry that takes into account the format of the verse as it exists in the manuscripts. In a detailed analysis, which takes up issues current in poststructuralist theory, she argues that the idea of "verse sequences" should replace the "poem" and "implied tradition" should replace the idea of "the author".



Composition and Comprehension microform the Grammar of Old English Poetry

Composition and Comprehension  microform    the Grammar of Old English Poetry Author Haruko Momma
ISBN-10 0612029255
Release 1992
Pages 728
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Composition and Comprehension microform the Grammar of Old English Poetry has been writing in one form or another for most of life. You can find so many inspiration from Composition and Comprehension microform the Grammar of Old English Poetry also informative, and entertaining. Click DOWNLOAD or Read Online button to get full Composition and Comprehension microform the Grammar of Old English Poetry book for free.



On the Aesthetics of Beowulf and Other Old English Poems

On the Aesthetics of Beowulf and Other Old English Poems Author John M. Hill
ISBN-10 9780802099440
Release 2010
Pages 299
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What makes one Anglo-Saxon poem better than another? Why does Beowulf still have the power to move us after so many centuries? What might have been aesthetically pleasing to Old English readers and writers of poetry? While there is an apparent consensus by scholars on a core of poems considered to be exceptional literary achievements - Beowulf, Judith, the Vercelli book - there has been little systematic investigation of the basis for these appraisals. With new essays on rhetoric, wordplay, meter, structure, irony, form, psychology, ethos, and reader response, the contributors to this collection aim to find objective aesthetic qualities in Anglo-Saxon poetry. Posing questions of quality and beauty as discoverable in artefacts, On the Aesthetics of Beowulf and Other Old English Poems significantly advances our understanding not only of aesthetics and Old English poetry, but also of Old English attitudes towards literature as an art form.



Visible Song

Visible Song Author Katherine O'Brien O'Keeffe
ISBN-10 0521375509
Release 1990
Pages 204
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This book throws light on the debate about the 'orality' or 'literacy' of Old English verse, whether it was transmitted orally or written down.



Old English Biblical Verse

Old English Biblical Verse Author Paul G. Remley
ISBN-10 052147454X
Release 1996-06-28
Pages 476
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An extended study of the Old Testament poems of the Junius collection as a group.



Beowulf and Other Old English Poems

Beowulf and Other Old English Poems Author Constance Hieatt
ISBN-10 9780307434821
Release 2010-05-26
Pages 192
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Unique and beautiful, Beowulf brings to life a society of violence and honor, fierce warriors and bloody battles, deadly monsters and famous swords. Written by an unknown poet in about the eighth century, this masterpiece of Anglo-Saxton literature transforms legends, myth, history, and ancient songs into the richly colored tale of the hero Beowulf, the loathsome man-eater Grendel, his vengeful water-hag mother, and a treasure-hoarding dragon. The earliest surviving epic poem in any modern European language. Beowulf is a stirring portrait of a heroic world–somber, vast, and magnificent. From the Paperback edition.



The Old English Poem Seasons for Fasting

The Old English Poem Seasons for Fasting Author Mary P. Richards
ISBN-10 193822843X
Release 2014-05-01
Pages 182
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Seasons for Fasting, a late Old English poem probably composed in the early eleventh century, focuses on proper fasting observances in England. This poem, composed in eight-line stanzas, survives only in a sixteenth-century transcript made by the antiquary Laurence Nowell. With its topics, vocabulary, sources, and style derived from those of contemporary ecclesiastical prose, it belongs to a school of late tenth/early eleventh century poetry that only now is coming to be recognized and defined. The Old English Poem Seasons for Fasting: A Critical Edition provides a new text and translation of the poem, accompanied by an extensive introduction, commentary, and glossary. The introduction includes analyses of the poem’s manuscript origins, sources, language, meter, style, and structure. The text is collated with all previous editions. The commentary elucidates points of grammar and style, and justifies all editorial decisions. The glossary covers every instance of each word in the poem. Since its discovery among the papers of Laurence Nowell in 1934, the poem has had only four editions, two of the text with basic notes, and two in doctoral theses with more commentary and analysis. This new edition brings the latest resources on manuscript study, lexicon (through the Concordance and Dictionary of Old English A-G), poetics, and cultural milieu to bear on this fascinating poem. The apparatus, including the glossary, will allow fellow scholars to extend these findings through links to their own work.



Language Change and Variation from Old English to Late Modern English

Language Change and Variation from Old English to Late Modern English Author Merja Kytö
ISBN-10 3034303726
Release 2010
Pages 422
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This collection reflects Minoji Akimoto's concern with studies of change in English that are theoretically-informed, but founded on substantial bodies of data. Some of the contributors focus on individual texts and text-types, among them literature and journalism, others on specific periods, from Old English to the nineteenth century, but the majority trace a linguistic process - such as negation, passivisation, complementation or grammaticalisation - through the history of English. While several papers take a fresh look at manuscript evidence, the harnessing of wideranging electronic corpora is a recurring feature methodologically. The linguistic fields treated include word semantics, stylistics, orthography, word-order, pragmatics and lexicography. The volume also contains a bibliography of Professor Akimoto's writings and an index of linguistic terms.



Representations of the Natural World in Old English Poetry

Representations of the Natural World in Old English Poetry Author Jennifer Neville
ISBN-10 113942596X
Release 1999-03-13
Pages
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This book examines descriptions of the natural world in a wide range of Old English poetry. Jennifer Neville describes the physical conditions experienced by the Anglo-Saxons - the animals, diseases, landscapes, seas and weather with which they had to contend. She argues that poetic descriptions of these elements were not a reflection of the existing physical conditions but a literary device used by Anglo-Saxons to define more important issues: the state of humanity, the creation and maintenance of society, the power of individuals, the relationship between God and creation and the power of writing to control information. Examples of contemporary literature in other languages are used to provide a sense of Old English poetry's particular approach, which incorporated elements from Germanic, Christian and classical sources. The result of this approach was not a consistent cosmological scheme but a rather contradictory vision which reveals much about how the Anglo-Saxons viewed themselves.



Old English Poems and Riddles

Old English Poems and Riddles Author
ISBN-10 STANFORD:36105131745361
Release 2008
Pages 92
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Including riddles, charms, the major elegies, religious meditations such as The Dream of the Rood, epics such as The Battle of Maldon, and several long sections from Beowulf, this book of translations indicates the variety and attractiveness of pre-Conquest forms of literary composition. Even a specimen passage of rhythmical prose is included; a kind of semi-verse that supports the view that Old English offered many structural possibilities for those wishing to compose memorable and distinctive literary works. Above all, the translator tries to show that Old English verse was not merely crudely alliterative, but a set of stylistic techniques which allowed for great subtlety, thematic pacing, and even tenderness.



Revising Oral Theory

Revising Oral Theory Author Paul Acker
ISBN-10 9781317944645
Release 2014-06-23
Pages 150
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First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.



The Poetics of Old English

The Poetics of Old English Author Tiffany Beechy
ISBN-10 9781317021018
Release 2016-02-24
Pages 152
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Combining literary analysis and theoretical linguistics, Tiffany Beechy's timely and engaging study provides a critical reassessment of Old English texts that challenges the distinction between Anglo-Saxon prose and verse, ultimately recognizing an inherent poetic nature present in all Old English texts. While the poetic nature of Beowulf, due to the regular meter and heroic story, is recognized, this study demonstrates that poetry is a more widespread phenomenon than previously thought; poetic patterning can be found across the Old English corpus, both in verse and in so-called prose. Informed by Jakobsonian linguistics and oral theory, Beechy's analysis focuses on the text itself to identify unique poetic strategies. This demonstration includes a comparison between King Alfred's Old English version of Boethius' Consolatio Philosophiae and the Latin original; the poetic quality of prose homilies; poetic epistemology in law codes, riddles, and charms; and unconventional poetics even in traditional verse texts, such as the short lyric 'Deor' and the long poem Christ I. The Poetics of Old English brings interrelated developments in linguistics and literary theory to the study of Anglo-Saxon language and culture, showing that Old English texts, when considered at the level of language, are surprisingly sophisticated.



The Life of the Mind in Old English Poetry

The Life of the Mind in Old English Poetry Author Antonina Harbus
ISBN-10 9042008148
Release 2002
Pages 220
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Ideas about the human mind are culturally specific and over time vary in form and prominence. The Life of the Mind in Old English Poetrypresents the first extensive exploration of Anglo-Saxon beliefs about the mind and how these views informed Old English poetry. It identifies in this poetry a particular cultural focus on the mental world and formulates a multivalent model of the mind behind it, as the seat of emotions, the site of temptation, the container of knowledge, and a heroic weapon. The Life of the Mind in Old English Poetrytreats a wide range of Old English literary genres (in the context of their Latin sources and analogues where applicable) in order to discover how ideas about the mind shape the narrative, didactic, and linguistic design of poetic discourse. Particular attention is paid to the rich and slippery vernacular vocabulary for the mind which suggests a special interest in the subject in Old English poetry. The book argues that Anglo-Saxon poets were acutely conscious of mental functions and perceived the psychological basis not only of the cognitive world, but also of the emotions and of the spiritual life.